Everybody has a story to tell. Unfortunately, not every story is told. This is the thesis of Jerica Coffey’s article “Storytelling as Resistance.” Coffey illustrates this point through a story of her own: conducting a nonfiction narrative writing project in her classroom. Her goal is for students to tell an untold story of their community. Coffey begins with reading the novel Random Family, in which a white journalist writes about Puerto Rican women in the Bronx. The author writes about many tragedies that the women face without context or analysis, making it possible to blame the women for what happens to them. Coffey included this resource as a mentor text to demonstrate “the problems that arise when people outside our communities control our stories,” (300). Students critically examined how this text was not representative of the women’s lives, and how that upholds dominant power structures. This is because “everything we read, watch, or hear is a construct with underlying power dynamics. Who has the power to tell the story matters,” (Coffey 310).
After analyzing Random Family, Coffey’s students began their projects. The discussion started with posing the question of how often they have the power to tell their own stories about their communities, to which her students replied “Never,” (Coffey 311). Her goal was for students to interview people within their communities to create their own first-person narratives. Her students pushed back on the many rules about the interviews, such as the requirement to interview adults over 30, but Coffey writes that “Intergenerational storytelling held special importance in a Black and Brown community with a history of tension, misunderstanding, and violence,” (317). They discussed the Community Cultural Wealth, or “the range of knowledge, skills, abilities, and contacts possessed, passed down, and used by communities of color to survive and resist oppression,” (Coffey 312) and used this framework to craft their stories. At the end, they presented their work to their communities. Many people were moved by this, as they felt that they were finally seen. Coffey’s work highlights the importance of telling the story of your community because as a member, you will be able to accurately represent its heart.
Further interesting resource I found about how storytelling in the film Sinners is a form of resistance: https://alvalues.org/storytelling-as-resistance-what-sinners-teaches-us-about-power-and-justice-in-the-south/





